CFPs

CFP ISSUE 3 – Feminine Feelers // Deadline 15 March 2014 // CLOSED. Thanks to all who submitted.

_DSC4038a

Photograph by Simon Panasiewicz

Feral Feminisms, a new independent, inter-media, peer reviewed, open access online journal, invites submissions for a special issue entitled “Feminine Feelers,” guest edited by Zorianna Zurba. Submitted contributions may include full-length academic essays (about 5000 – 7000 words), shorter creative pieces, cultural commentaries, or personal narratives (about 500 – 2500 words), poetry, photo-essays, short films/video (uploaded to Vimeo), visual and sound art (jpeg Max 1MB), or a combination of these. Please direct inquiries and submissions to Guest Editor, Zorianna Zurba zorianna[at]gmail[dot]com.

Prior to the recent Affective Turn in critical and cultural theory, feminist theory and philosophy had already been critiquing the role of rationality and the exclusion of emotion in Western thought. Elspeth Probyn (1993) argued for the inclusion of experiential accounts in understanding the relationship between feminist epistemology and ontology; and, Alison Jaggar (1989) worked to restore inquiry as the wisdom of love to Western epistemology by validating emotional acumen as a highly developed skill. For Jaggar, the one who feels different is an emotional outlaw. Emotional outlaws are a kind of precursor, grandmother or godmother, to Ahmed’s (2010) affect aliens: the feminist killjoy, who is angered by the sexist joke, or the melancholic migrant, who longs for something lost, or the unhappy queer, whose happiness is already impossible. Claire Hemmings (2012) has argued that being outside of emotional norms can offer a kind of unification, where affective dissonance is a starting point for feminist politics and can encourage affective solidarity.

But what of a return to previous conceptualizations of feeling in understanding the feminine and feminism? Luce Irigaray (1991), for example, writes of the erasure of the figure of the female lover and the simultaneous loss of the expression of feminine carnality, female divinity, and the representation of the female body. In light of these and other recent works (Cvetkovich, 2012; Grosz, 2011), how might we consider moving forward by taking into consideration feminine feelings?

Feminine Feelers are flustered, fraught, and feral. Feminine Feelers recall feminine modalities of feeling that have gone otherwise. Feminine Feelers ponder the position of emotional misfits such as female mystics, poets, artist, grandmothers, godmothers, cyborgs, golems, lovers, and Other(ed) figures. Feminine Feelers also highlight moments in feminist thought which illuminate the role of feelings and accounts of the body. What challenges does the turn to affect pose to feminist theory? How might we cultivate the sensory in order to tune into what is going on? Is the female an outsider, or is the feminist the outsider? How does outsider status offer a critical distance from cultural and emotional hegemonies? Must this distance be maintained in order to preserve difference?

This special issue of Feral Feminisms seeks to bring together scholars, activists, and artists to think through and feel through categories. Submitted contributions may include papers, visual art, film, poetry and literary pieces. Submissions are encouraged to address, but are not limited to, the following topics:

  • Cults of the feminine
  • Indigenous femininities
  • Figures and examples: emotional outlaws, affect aliens, fantastic feelers
  • Vocabularies of feeling
  • Feminine and feminist genealogies
  • Theoretical and methodological disjunctures within feminist and queer phenomenology, affect studies, cultural  emotion studies, cultural anthropology
  • Art and literature movements and their relationship to affects: the new sincerity, Remodernism, etc.
  • Edges, excesses, and limits of Feminine Feelers and feminine feelers
  • Animality, feelings, and non-human animals

For submission guidelines, please see the submission guidelines page.

 

CFP ISSUE 2 – Feminist Un/Pleasure: Reflections on Perversity, BDSM and Desire // CLOSED. Thanks to all who submitted! 

Photographer: Tania A. // Model: Gesig

Feral Feminisms, a new independent, inter-media, peer reviewed, open access online journal, invites submissions from artists, activists, scholars and graduate students for a special issue entitled, “Feminist Un/Pleasure: Reflections on Perversity, BDSM, and Desire,” guest edited by Toby Wiggins. Submitted contributions may include full-length academic essays (about 5000 – 7000 words), shorter creative pieces, cultural commentaries, or personal narratives (about 500 – 2500 words), poetry, photo-essays, short films/video (uploaded to Vimeo), visual and sound art (jpeg Max 1MB), or a combination of these. Please direct inquiries and submissions to Guest Editor, Toby Wiggins wiggins[dot]yorku[at]gmail[dot]com.

What gets you off? Desire is a slippery concept, difficult to hold or describe, and certainly not consistent or interchangeable. An insatiable yearning for some is for others abhorrent and deserving of reprimand. The social complexities of perversion are therefore always in flux, influencing diverse manifestations of sexuality and its censorship. According to Freud’s early formulations on the two principles of psychic functioning, and later developed in his writings on the death drive, pleasure and unpleasure are intimately bound. Our primary drive encompasses both the unpleasure of an increase in excitation and the pleasure of its release. In other words, an individual’s relationship to unencumbered indulgence continually grapples with its denial. This fundamental tension also resonates beyond psychoanalysis, in feminist genealogies, as an ambivalence towards BDSM and “perverse” sexualities. Echoed in Carole Vance’s influential anthology, Pleasure and Danger, and the ongoing battles of the sex wars, feminist sexuality encompasses both enjoyment and suffering wrapped tightly around the politics of desire. This apparent contradiction of painful enjoyment also weaves throughout BDSM sexuality itself, where the lines between violence, sex, and love begin to blur.

This special issue of Feral Feminisms aims to complicate, untame, queer and radicalize tumultuous legacies of pleasure and unpleasure by reflecting upon the current intersections of feminist desire and BDSM sexuality. Topics of inquiry may include, but are not limited to:

  • pleasure and pain in feminist sexualities
  • resonances of canonical sexologists such as Richard von Kraft Ebbing on contemporary perverse sexualities
  • the instability of sexual subcultures vs mainstream
  • gender and power play
  • representations of perverse feminist sexuality in film, literature, and art
  • Fifty Shades of Grey and histories of erotic fiction
  • psychoanalytic theories of BDSM and/or perversion
  • affect and kinky feminist desire
  • sex work and professional dominatrices
  • critical interrogations into the construction of subversive sexualities
  • masochism, sadism, fetishism
  • the politicization of BDSM
  • death, the death drive, and queer sexualities
  • addressing white supremacy, capitalism, ableism, colonialism, heteronormativity, and/or patriarchy through scenes of perversion
  • limit experience
  • BDSM sexuality as performance

For submission guidelines, please see the submission guidelines page.